The episode opens in a torture dungeon,
where a woman is using a hacksaw to cut at the shackle of a padlock
which is securing a window! It's one of those locks where the body is
just a bunch of stacked metal plates, and I always wonder if it would
be easier to cut those than it would the shackle - I know there's
more material there, but which one is physically stronger? Also, the
flat metal seems like it would be easier to dig into than the curved
shackle.
The other woman in the torture dungeon
tells her to stop cutting, because the killer will blame her if
'Rose' escapes. That's what the killer calls her, not her actual
name, BTW. Anyhoo, Rose cuts through the shackle and opens the window
- escape is within reach! This will teach that killer to leave
hacksaws in his torture dungeon!
The killer is arriving home just as she
gets to the window, but Rose still goes back to check on the third
woman, who's currently sick! There's three of them? I guess now
they're doing the episode about a guy who keeps women chained up in
the basement?
Actually, that's happened a bunch of
times, so we'll look for more details to identify their inspiration.
As the killer gets downstairs, we see
that there are children's drawings all over the walls! Did these
women have children, or have they really been there that long?
After finding out about the escape, the
killer flees with the compliant victim, and they leave the ill victim
behind!
The next day, we find out that the
police rescue went great, and two of the women (actually, she's 18,
the sick one is 15, and the compliant one is older, but they don't
know her real name) have been rescued! The team specifically
name-check Ariel Castro, so yeah, that's what they're doing, even
though he didn't kidnap 8-year-olds the way the killer in this
episode did.
There's something bizarre about the
scene, because they don't mention what happened to the third victim -
Garcia says that Rose 'said she was held with' a victim that they've
got a face and name on, but despite the fact that people have already
found and presumably searched the torture house, no one mentions
whether the sick girl from the basement is alive, dead, or missing.
Kind of a huge oversight, Penelope.
The house they were living in was owned
on paper by what would have been a 108-year-old woman if she were
still alive, but everyone is assuming she's dead but the death was
unreported. Now they just have to figure out how to track down the
killer and save his longest-serving victim!
Presumably the fact that the house is
absolutely covered in his DNA and fingerprints should help in that
respect!
Oh, and on the road, the killer
(Matlock's Daniel Roebuck!) beats Violet up for wanting to take a
bathroom break.
On the plane, they talk a little about
long-term captors, but it's not useful, of course. Garcia drops in
with the info that the killer goes by 'Tom', and that he claimed to
be the old lady's grandson. None of the neighbours knew about the
girls, of course. They were able to identify the colour of his van,
but since he gave people a fake name, and it's a popular make and
colour, that's not a huge lead.
Finally, at the end of the scene, we
discover that the girl survived, when Greg says that they have to
talk to the 'girls', plural. One of them is 18 Greg, but overall, I'm
just happy to find out they're both alive.
At the hospital, Greg, JJ and Reid see
the doctor talking with the mother of the comatose girl, then he
comes over to offer his take on the situation - the girl almost died
because of a miscarriage that wasn't treated properly! Also she has
whip marks all over her back. Rose was also whipped, and has evidence
of broken bones!
JJ and Reid hang out in Gena's (Rose's)
room, waiting for her to wake up. She's shocked and alarmed to see
Reid there, and why wouldn't she be, after the decade-long rape
nightmare that's taken up more than half of her life. You know, the
team is clever enough (or arrogant enough) to always try to have
women talking to the sexist witnesses and suspects, but suddenly
they're so completely insensitive that they don't think to only have
female agents chatting with the rape victim?
Like, we know Reid has soft features, but that's not good enough.
Joe and Derek go to the torture
dungeon, and are disturbed by all the childish things they find lying
around, especially when it's contrasted with the X-Shaped bondage
wall they find in the next room!
I have no idea what to call that thing.
It's unpleasant to look at, though!
They talk with Gena, and discover that
she was abused at the foster home when she was 8, so she would often
hang out in a park! It was there that violet found her and used a
puppy to lure her into a van. Then, a decade of torture. She has no
actionable information to offer yet - she apologizes for not being
able to remember where they went.
Which is a weird thing to focus on - I
mean, they already know where you went, right? You just came from
there and led the cops to it. Was there another location of some
significance that she's failed to remember?
A further search of the house turns up
torture porn and a lot of carpentry tools. Could the guy be a
carpenter by trade? Perhaps that's how he found the old woman! Worked
on her house, then killed her and took it over! Or perhaps she just
died of natural causes and he swooped in?
An interview with Gena gets us more
details! She never knew Violet's real name, but she does know that
the other girls would sometimes get to go on multiple-day trips with
the killer! They'd never say where they went, though, and she didn't
get to go because she was too rebellious! Also, they're all named
after flowers because the old lady had an extensive garden - one that
they still planted flowers in for her!
Obviously they interpret this to mean
that the old lady is buried in the garden, so they dig it up, and
find the body immediately!
Things are going badly at the hospital!
Gena was able to put together a sketch of the killer, but what's she
going to do with a 2nd-grade education and no family or friends to
look after her? I mean, the hundreds of thousands of dollars that
people will donate to her once her story gets out will probably help,
but yeah, she'll need reliable people to help her manage the money.
Oh, and the other victim has died!
Garcia checks small construction
companies that have a blue van, and finds someone who resembles the
killer! Gena quickly identifies him based on the photo. Time for a
massive manhunt to begin!
In the van, Violet wants to know if
they can go to see 'them' - does she want to see her sister-wives, or
are they headed somewhere else?
In one of the most hilarious things the
show has done in a while - perhaps even intentionally - Joe and Derek
are busy giving their useless profile to the assembled cops, when a
radio alert comes in that the van has been spotted! All of the cops
immediately stop listening and run for their cars!
The team and cops drive up and arrest
the killer after a footchase! Before leaving, though, he tells violet
that he's the only one that loves her!
Reid and JJ have a difficult time
talking to Violet, who just want to see the killer and leave. She's
been brainwashed for more than a decade, so this is going to be
pretty rough. Wait, does she have a child and that's who they visit
from time to time? That would make this extra rough.
It's too bad Aisha has the week off -
she'd be useful in this type of situation. She's not a cult
deprogrammer, or anything, but her area of expertise is talking to
psychopaths, and since she is one as well, she's got a leg up at
communicating with this woman!
The killer claims that the old lady
just died, and furthermore, he only abducted girls who were being
neglected, so that he could give them a better life. And, you know,
exploit them sexually. The team discusses the updates, and JJ points
out that Violet is super-insistent that there's somewhere that she
has to be, but won't explain where, exactly.
JJ jumps to my conclusion, that Violet
probably had a child out there somewhere. But where?
We then cut to Violet's two daughters,
who are off in a room somewhere! Is someone looking after them, or do
they just check in on them every week or two? Since we see that their
room is another torture dungeon, presumably it's under someone's
house.
JJ takes Gena to see the dead girl, and
she apologizes for not being able to save her life. It's quite sad. I
guess they're going to have to take her to see Violet next? That's
going to be a rough scene.
Speaking of rough, Garcia has found a
missing little girl who matches Violet's biographical data! JJ goes
to show Violet a picture of herself with her parents. Her name is
Amelia! She has trouble taking this in, obviously. Still, JJ has to
push her into talking about her two daughters! She doesn't know where
they live, though!
Looks like they'll have to make a deal
with the killer - because the two girls are running out of water!
JJ brings Amelia's parents in to see
her, and it's traumatic for everyone! They show her photos, but don't
bring along personal effects. Attempting to use her childhood
nickname sends her into a frenzy! It's an interesting premise this
week, because these psychological problems really aren't that
difficult to solve with months and years of treatment, trying to
break through in a couple of hours is borderline impossible!
The killer wants a deal to reveal the
location - minimum security for his sentence, and he wants to talk to
Amelia! What choice do they have, but to go along with it? The US
attorney makes the deal, and the team walks the killer over to talk
to Violet. Why not bring him to her? Oh, because if they did that, we
couldn't get the agony of seeing the dead girl's mother react to him
walking past.
Thanks, show. Is she going to stab him
now? Probably not. Maybe she can adopt Gena? That would be nice, but
probably too saccharine an ending for the show.
Hey, I know that she doesn't know how
to drive to the location, but couldn't Amelia have given them plenty
of details? Like whether it was a single or multiple story house, how
long they drove, trees, neighbours, house colors. He never
blindfolded her, and apparently they went all the time, so shouldn't
she have some info to help Garcia narrow things down?
During the conversation between the
killer and Amelia she realizes what a monster he is and remembers her
parents, so she attacks him, and the killer says that the deal is
off! Wow, maybe you should have gotten the location before letting
them talk?
On the upside, Amelia remembers a store
they would stop at to get supplies for the torture dungeon, and it's
incredibly close to it! If she can just get some details about it
they'll be able to find the girls before it's too late!
Assuming that the killer is using the
same 'take over a dead old person's house' scheme twice, they look
for anyone who lives near a grocery store! Wait, if they were going
to assume he'd done the same thing twice, shouldn't they have spent
the last few hours knocking on the door of every one of his elderly
clients? Wouldn't that have gotten the job done way faster than all
of this mental anguish and deal-making?
They rush to the house, and it turns
out the girls are fine! I mean, one was badly dehydrated, but other
than that, fine! Also, there's a scene with Gena and Amelia where it
looks like Gena has forgiven Amelia - which, you know, kind of sucks.
I mean seriously, less than 24 hours ago she was trying to keep you
from escaping. I know she's coming around, but you shouldn't be ready
to just forgive and forget.
The killer is being taken off to jail,
but then the mother of the dead girl shoots him!
THE END
Weird, I really thought stab. Huh.
Then the episode ends without us having
the slightest idea of what's going to happen to Gena, who got
super-screwed over in this whole situation.
Hopefully the book deal will help.
1 - Was profiling in any way helpful in
solving the crime?
Nope. They were told who did it by the
woman who escaped, and the rest was just details.
2 - Could the crime have been solved
just as easily using conventional police methods given the known
facts of the case?
Reasonable cops would have only let him
talk with Amelia after turning over the girls, so it probably would
have gone a little more cleanly. And they might have also checked on
his other clients a little earlier, as well.
So, on a scale of 1 (Dirty Harry) to 10
(Tony Hill), How Useful Was Profiling in Solving the Crime?
1/10 - I can't get over how much Gena
gets shafted by this story. She's the hero here, but it's Amelia who
ends the episode with a family reunion. Gena's expected to just
forgive a woman who doesn't deserve it and then gracefully fade back
out of their lives.
Screw you, Criminal Minds.
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