Part 2, y'all!
We get a look at the carnage in and
around the diner as the gunfight continues. Esai's friend the sheriff
was shot in the head! Reid's badly injured, but sees the real killer,
Anders, walking calmly along the sidewalk, because the guy's too dumb
to worry about stray bullets! Naturally he finds this peculiar, but
is he too injured to share his suspicions?
Derek - who was only hit in his vest -
shakes off the cobwebs and helps JJ shoot at the preacher. Who runs
out the back door of the diner, because no one bothered circling
around the building!
Jeanne goes to check on Reid, and
notices that he's losing a lot of blood from his neck wound! She
tries to hold his attention and convince him to stay awake, but it
doesn't work! This might have something to do with the fact that she
calls him 'Ethan', which is not his name.
Is that like a pet name that she has
for him that I've forgotten about, or is she conflating him with
someone else who she lost in a tragedy? Whatever the reason, it's
super-weird.
JJ and Derek have a foot chase with the
preacher, eventually following him into an abandoned building and
killing him! Despite the fact that they're both wearing ear radios
and microphones, they don't update the cops on their position as they
race through backyards and hovels. Despite this oversight, the cops
still manage to rush into the room with them less than ten seconds
after they kill the preacher.
In the ambulance Reid start babbling
about a tea kettle, but then he loses too much blood pressure and
starts to crash. Was he trying to send a message, or was it just
rambling?
Also, I'm not a medic, but shouldn't
they have cut that vest off of him to ensure better access to the
whole wound area, rather than just removing one strap? It's held on
with elastic straps and velcro, you could get it off in like three
seconds with your clothes scissors.
Notably, when Derek also demands that
Reid 'stay with him' he uses Reid's actual last name. Will that prove
more effective? Hopefully we'll find out after the credits!
Hey, Garcia is there! While I get why
she'd want to visit Reid, she can be way more useful in Quantico up
until the killer is actually caught. Flying out just cost five hours
that could have been spent working the case, lady.
Derek has a reveal from his hospital
bed - the 'teakettle' Reid was talking about was the whistle of a
distinctly different type of bullet than the ones the preacher was
using. So Anders must have shot the sheriff in order to ensure the
gunfight started, which is why he had to remain on the scene! Greg
explains that the preacher was a narcissistic sociopath, which is why
he continued the gunfight even though he knew he didn't start it -
since he thought he might be able to win or escape.
Except, the weird thing is, Anders
starting a gunfight actually gives the preacher less of a reason to
start shooting. Standing in a room full of guns and dead bodies is
pretty suspicious, but once someone who isn't you starts shooting,
you suddenly have proof that you're being framed. All you have to do
is toss the guns and lie stomach-down on the ground with your hands
spread wide. Now, when the cops come in, they'll find you with no
residue on your hands, guns that haven't been fired, and a lack of
shell-casings.
Even if the local cops are trigger-happy, your best/only chance of survival is immediate surrender. I'd say that we can believe that the preacher would do something this dumb since he was a coked-up scumbag, but he was also a guy who ran two successful pimping organizations in different countries and was good enough with people that he was able to become the trusted pastor of a small town. Isn't that a guy way more likely to try to talk his way out of a situation than shoot?
The team announces they're going to
track down the madam to see what she knows about all of the dead sex
workers, but before they can arrive Anders busts into her house. She
knows him as 'Owen', and begs for her life, assuring him that she
won't say anything. In response, he drags her out of the house and
loads her into his truck, which is a police vehicle! So I guess he
was one of the cops, after all?
Joe and JJ search the madam's house,
and discover that the first thing she packed as a picture of a little
boy! Her child, or someone otherwise significant? Then it's over to
the station, where we discover that Anders did, in fact, bring her
in, claiming to have caught her as she fled town. One problem: Her
truck was still at her house! One of the local cops suggests that she
was behind all of the crimes, and was trying to pull a 'power play'
to get rid of the preacher.
Which is, you know, just a crazily dumb
idea, since it was a prostitution ring, and if you want to take it
over, you don't accomplish that by killing the entire stable of sex
workers. It's such a dumb idea that I guess the cop must be in on it?
Or just, you know, terribly written. It's a fine line.
The big takeaway from the information
dump? They need to talk to the madam - although you'd think talking
to the cop who brought her in would be a higher priority, since it
would sort out the car situation, which seems super-relevant. After
all, who starts packing to flee, then stops and flees without their
car?
JJ tries to get some info out of the
madam, but she won't talk, and scoffs at the idea of protection. Then
she really clams up when the acting sheriff walks in. This is
partially JJ's fault - she could have mentioned that they have a
plane waiting, and if she's afraid of someone in town, they can have
her on a plane headed to Virginia within the hour.
When the team gets outside, we get more
info - the dead druggy was on the books as an informant for Anders!
Which ties him to the body in a way that it doesn't tie the preacher.
The team further theorize that the 'they' the women were afraid of
was the entire police department (other than Esai's dead friend, of
course)! Well, that makes a lot more sense than Greg's theory that
they used the term 'they' because the killer was copycatting a style
of cutting that the women weren't aware of.
God, that was a dumb line.
While I get that Anders killed druggy
to keep him quiet about setting up the preacher, why put the body in
the diner? If you're framing a guy (pretty badly) for serial murder,
why add in an extra body that has no connection to the preacher but a
big connection to you? Couldn't you have just thrown him in a ditch
somewhere?
Also, I'm not sure why the corrupt cops
wanted to kill all of the sex workers in town. What did they gain by
doing so? Are they just crazy? If they wanted to kill the preacher,
they could have done that at any time and gotten away with it. To
frame someone, at most you have to kill a single person whose death
you can pin on the guy. Throwing in more bodies just creates more
things that can go wrong.
Unless their plan required the FBI to
show up? I'm so intrigued to find out what that plan was!
Anyhoo, Anders finds out that Reid
isn't dead, and says that he'll 'take care of it'. Although I'm not
sure why that's a priority. If I made eye-contact with guy who'd just
been shot in the neck, I wouldn't be super-worried about him being
able to identify me. Especially if I had every reason to be where he
saw me, considering that I was a cop.
Here's something cute: Garcia brings
Reid Doctor Who toys to see when he wakes up! Including two Daleks,
which are kind of a scary thing to wake up to, really.
The team has a small meeting - they
figure that the madam's son must be being held hostage somewhere,
which is why she isn't talking! This makes her seem pretty cold,
since it looked like she was about to flee town when Anders caught up
with her. Their plan: find the kid, get her out of the city, use her
testimony to bring down the corrupt police department!
In the hospital, Reid jokes about how
he'll look like Boris Karloff once he's out of the hospital! Because
he was famous for having a small scar on the side of his neck? It
seems to be a Frankenstein reference, but I'm pretty sure that the
surgeons didn't give Reid neck bolts, so if it is, it's kind of a
reach.
The interim sheriff walks over to the
team to ask what they were talking about outside, and the team proves
to be terrible actors as they say it was nothing. Also, Garcia
discovers that the madam's mother has a first-grader enrolled in
school, which must be the kid! So maybe she was going to drive over
to her mother's to grab the kid? Of course, if she was going to get
her son before fleeing, why would she need a picture of him?
Okay, things get real dumb now. It
turns out a year ago the old sheriff died in the hospital of a drug
interaction, after being shot in a drug raid gone awry. The team
jumps to the conclusion that the sex workers witnessed the murder of
the previous sheriff, which is why they all had to die! Except
there's zero reason to suspect this, and it kind of blows a hole in
everything that happened last week.
If the sex workers knew that the cops
were into murdering people, why would they stay in town once their
fellow sex workers started getting murdered? Why would the cops
bother murdering the sex workers unless they had concrete evidence of
the murder of the previous sheriff? It's not like their testimony
would be worth much against the word of an entire police department.
Most importantly, though, why bother
with the whole 'frame the preacher' charade? There's a million things
that can go wrong with that plan, but if you just grabbed the sex
workers, killed them one at a time, and buried them in the desert, no
one would ever find out it happened. And it's not like you'd have
trouble getting them to go with you - you're cops.
Now it's time for the team to make
their move! JJ tells the madam they're going to secure her son, and
Derek gets a photo of Anders so that Garcia will know which cop is
dirty! Of course, this isn't the best plan, since they're operating
under the theory that literally any of the cops could be dirty, so
couldn't they just tell her not to let any cops into the room with
Reid?
Also, they're all really sure that
Anders is coming to kill Reid, and he is, but they have no reason to
think that's happening. Reid hasn't mentioned Anders to anyone - only
Anders knows that he's been seen, yet the team is acting like Reid's
life is definitely in danger. It's one of the many, many times on the
show in which the writers get confused about what the audience knows
vs what the characters know.
The point is, Garcia puts Reid in a
wheelchair and gets Reid's gun out of his personal effects, just in
case.
They've known all of the cops are
crooked for at least an hour at this point, yet we've heard nothing
about hundreds of FBI agents racing towards the town. Texas has
plenty of FBI agents, and Esai is high up in the justice department.
Where, exactly, is their backup?
Joe and Jeanne talk a little about the
stresses of the job, then realize they're being followed! The acting
sheriff checks with Anders about what to do in re: them heading for
the kid, and at the same time Garcia pulls a hospital fire alarm and
tries to escort Reid out amidst the ruckus!
You know, Anders isn't very good at
this planning stuff. If you needed the madam alive for some reason,
wouldn't putting the bag on her son be, like, your first priority to
take car of, hours ago?
The dirty cops pull Joe and Jeanne
over, and they get ready for a gunfight. Then when we come back from
the commercial, it turns out the action happened off-screen, and Joe
and Jeanne rammed a car and drove off, shooting the corrupt lady cop
in the arm!
And it must have just happened, since
the deputy is looking at her still-bloody arm when Anders drives
up, even though they were well on their way to the grandmother's
house when the phone call with Anders happened, and Anders was still
in the hospital at that point.
So the gunfight with the team happened
less than a minute after that phone call, but it must have taking
Anders at least ten minutes to arrive at this roadside tableau. Have
the corrupt cops really just been sitting there for ten minutes,
looking at a wound? Even if you're not going to the hospital because
you think you might have to flee, why not bandage her arm while you
wait for Anders?
Right, because the people making this
show don't understand that time passes between scenes, and imagine
that everyone is just teleporting everywhere. I always forget that,
because it's so profoundly inept.
Anders shoots both of the cops, so
maybe there weren't a lot of other dirty cops? Although I don't
really see the value of killing these guys - Anders knows that he's
burned, a couple of witnesses won't matter. The only real explanation
is that they might have information about where/how he's planning to
run, which would make this make perfect sense. So let's give them the
benefit of the doubt this time.
Fun fact, this scene takes place on one
of the densely-forested sideroads that are super-common in the Texas
desert!
With the son safely squirreled away,
the madam talks! Anders runs all kinds of crime and contraband
through the pool hall, so he needs her alive! But she passively
confirms that she and at least the first two serial killer victims
witnessed the old sheriff's shooting. Oh, and a bunch of other cops
at the station are corrupt as well, but not all of them, so Greg and
JJ are able to take the madam out of there.
The 'frame the preacher' theory still
makes no sense - according to the show's own internal logic, just
two-three sex workers and the madam knew about the assassination of
the sheriff. And they needed the madam alive to help run all of their
contraband. They could control the madam by threatening her son, but
why not just make the other sex workers disappear? How does
committing high-profile themed murders help make a problem go away,
when the problem is attention being brought to your crimes? They
could have made the sex workers disappear without anyone batting an
eyelid, but instead they came up with the most preposterous frame job
in history? I say 'most preposterous', because at any point in the
past year the preacher could have discovered that when his employee
was killed someone cut a pattern into their back which looked like
his famous method of torture - and he would immediately realize he
was being framed, and have every reason to skip town and possibly
even tell the feds about the corrupt cops that he had dealings with.
Every part of Anders' plan was
overcomplicated and made it less likely for him to succeed. Damn,
Criminal Minds, this is a bad two-parter. Not the worst. Of course
not the worst, but damn.
The madam says that Anders will want to
clear all of his cash out of the junkyard he uses at the edge of town
before fleeing, but Greg thinks he'll arrange a distraction to make
sure he gets away!
What kind of distraction? Well, we cut
back to Reid, who's lying in bed as a mysterious doctor comes in to
give him a mysterious injection! It's weird they didn't already
mention that Anders probably had a doctor on his payroll, since the
previous sheriff was killed by drugs at the hospital when he survived
the shooting, but I guess they wanted this to be a surprise?
But if Anders had a doctor ready to
kill for him, why did he go to the hospital at all? Was his plan to
walk into Reid's room and shoot him?
The guy tries to give Reid the
suspicious injection, but Reid pulls out his IV and Garcia shoots the
man! Don't worry, the doctor had a gun sticking out of the back of
his pants, so it's fine.
Still not sure why Anders wanted Reid
killed. Again, at this point he's burned, so what does it matter.
They tried to buy this by having Greg talk about him arranging a
distraction, but Reid having an allergic reaction to medication isn't
the kind of high-profile event that would keep feds from swarming the
town looking for him.
Seriously, where is that backup? Esai
has disappeared from the episode at this point.
Oh, look, there he is! He's at the
safehouse, and he confirms that FBI agents are an hour away, but the
Texas Rangers will be here in half an hour! That timeline means they
really waited a long time before calling them in.
Derek calls Greg to let him know that
Reid is fine, and they hang a lantern on the 'distraction' thing,
even though that makes zero sense. They act like killing Reid was
part of an 'endgame' to keep the FBI guessing while he made his
getaway, but if that's the case, why did he go to the hospital
himself earlier?
You're bad at writing, Criminal Minds
producers.
At the junkyard, there's a gunfight
with Anders and his henchmen! This includes a scene that's kind of
hilarious, as JJ shoots the driver of the truck they're trying to
escape with, and it turns out the precious cargo is... immigrants?
Why were they taking immigrants with them? Did they really think that
trying to sell people was worth going back to the junkyard?
Also, why would smuggling people across
the border be one of this guy's main moneymaking activities when
Silverton is more than six hours away from the border? It's not like
a random sheriff's deputy from North Texas is likely to have any
juice with the border patrol.
Wait, was this episode supposed to be
set in or around a bordertown, and a Bruce Campbell fan on the
writing staff discovered there really was a Briscoe County and
decided to blow a hole in the plot with the reference?
Anyway, all the bad guys get shot.
THE END
Except for a bunch more scenes!
Everyone heads back on the plane, ready
for a break. But Greg gets a mysterious text, which makes him look
over at Jeanne! Did her husband leave her? Joe just told a story
about how his wife left him because he was always flying away,
working on cases, and that's exactly what she did at the start of the
episode!
Jeanne brings Reid back to his
apartment and gets him settled in. Reid finally asks her about the
'Ethan' thing, and it turns out that's her dead son! She's sad when
talking about him, and she left her ID with Reid, so I guess she's
quitting the team so she and her husband can move to Boston and not
focus on grimness any more! And she decided to quit by texting Greg
from the other side of the plane? Not exact cool, lady.
Good luck, Jeanne, I can't say we'll miss you, because although you did perfectly well with what you were given, your character never helped solve a crime.
1 - Was profiling in any way helpful in
solving the crime?
No. Not at all. Reid and Derek heard a
cop bullet start off the gunfight, and just started investigating the
local cops, all of whom immediately began acting super-suspicious!
2 - Could the crime have been solved
just as easily using conventional police methods given the known
facts of the case?
In a realistic world, the cops would
have just killed the sex workers and buried their bodies in the
desert, and no one would have ever known they were dead. So no, this
one wouldn't have been solved. Hell, people wouldn't have even known
that a crime had happened.
So, on a scale of 1 (Dirty Harry) to 10
(Tony Hill), How Useful Was Profiling in Solving the Crime?
1
Wow, did this two-parter make zero
sense. It all comes down to the complete lack of motivation for the
evil cops to do literally anything they did after killing the
sheriff.
Also, what kind of a setup was the
death of the sheriff that like three or four people saw it happen?
That's some terrible planning right there. Then you've got the crazy
idea of inventing a serial killer to get rid of your witnesses?
That made sense in the ABC Murders
because the killer would be an immediate suspect unless there was
something bigger going on, and it only sort of made sense in From
Hell because the killer was a raving loon who felt divinely inspired
to kill in the most elaborate way possible.
Here, as cops, they have the perfect
way to make the witnesses disappear, no questions asked - because
they're the ones who'd normally be asking the questions. Instead,
they come up with an elaborate M.O. that only serves
It's not like the cops were thinking
'people are going to demand answers for the death of these sex
workers, so we have to invent a serial killer'! Most sex worker
murders go unsolved, and there's no public or governmental pressure
to change that. Besides which, if they just got rid of the bodies, no
one would be sure the sex workers were killed at all.
And on that depressing note, let's just
leave the season with the realization that Criminal Minds only has
two types of episodes - egregiously stupid ones, and egregiously
stupid ones that are visually interesting and packed with horror
icons, because Matt Gubler directed them.
Why do you watch this show if you don't really like it? I'm not going to argue that it's high art, but you seem to really have a problem with it. So why put yourself through it?
ReplyDeletebecause no one bothered circling around the building.
ReplyDeletebecause before they could, the preacher started shooting the place.