11.12.13
10.11.13
Red John Countdown Time!
We're down to the wire now on the end of the Red John mystery, so I thought I'd take this moment to re-asses my theory in light of new evidence.
In episode five, we learned from a detective presumably hired by Red John the man has a tattoo of three dots on his left shoulder.
This seems like an easy way to narrow the suspect down to one, but unfortunately for Patrick, it turns out that three of the remaining suspects each have the tattoo.
What's the significance? Well, obviously since we saw all of them plotting together-
We can extrapolate that they're all members of the same fraternal order of corrupt police officers and public officials that we've been learning about this year. Which isn't a huge surprise, since Bertram already expressed a love for William Blake, and the organization is clearly a William Blake-themed club, what with all the Tyger, Tyger nonsense. Also, the next episode is called 'The Great Red Dragon'. So there's that.
In episode five, we learned from a detective presumably hired by Red John the man has a tattoo of three dots on his left shoulder.
This seems like an easy way to narrow the suspect down to one, but unfortunately for Patrick, it turns out that three of the remaining suspects each have the tattoo.
What's the significance? Well, obviously since we saw all of them plotting together-
We can extrapolate that they're all members of the same fraternal order of corrupt police officers and public officials that we've been learning about this year. Which isn't a huge surprise, since Bertram already expressed a love for William Blake, and the organization is clearly a William Blake-themed club, what with all the Tyger, Tyger nonsense. Also, the next episode is called 'The Great Red Dragon'. So there's that.
9.11.13
How the trick is done!
So, as promised, here's an explanation of how Red John pulled the trick with his list, apparently proving that he had information that Jane didn't even have access to when the video was made. The show briefly raised the spectre of Red John being psychic, but we can dismiss that out of hand, since his plan to get information from Jane's psychiatrist proves he's working with realistic sources of information. So - how did he make his own version of the list six weeks before it existed? There's a clue in the lead-up to the reading of the list.
27.9.13
On the Subject of the West Wing
In its final season, the producers The West Wing made a daring formal decision. They decided that instead of running the season in something approaching real time, as most network shows do, the show would be set over the course of a single presidential campaign, following Bradley Whitford's attempt to get Jimmy Smits the Democratic Party nomination, and then a win in the general election. It was an interesting idea, and made for some decent drama at times, but at its core, it was misbegotten strategy if the producers' goal was to ensure an eighth season of the show.
At its core, The West Wing was a show about the adventures of President Martin Sheen and his staff. While Martin's storylines often took a back seat to the adventures of Alan Alda and Jimmy Smits in the seventh season, he was always there, dominating the credits and sitting in the Oval Office. By playing out the presidential election over the entire season, and delaying the inauguration until the very last episode, the producers created a logical stopping point for the show. It created the idea that the show was the story of Martin Sheen's presidency, and the moment that ended, there was no reason to continue watching it.
They didn't have to structure it that way. People enjoyed the format of The West Wing, and audiences have a history of liking Jimmy Smits. Would they have watched a show about president Jimmy Smits? I can't say for certain, but the producers never gave them the chance to decide. By saving the inauguration until the very end of the season, the producers effectively surrendered to the idea that the show had to end with Martin leaving office. By having no episodes with Jimmy Smits as president, they never made the argument for the existence of a show with that premise.
At its core, The West Wing was a show about the adventures of President Martin Sheen and his staff. While Martin's storylines often took a back seat to the adventures of Alan Alda and Jimmy Smits in the seventh season, he was always there, dominating the credits and sitting in the Oval Office. By playing out the presidential election over the entire season, and delaying the inauguration until the very last episode, the producers created a logical stopping point for the show. It created the idea that the show was the story of Martin Sheen's presidency, and the moment that ended, there was no reason to continue watching it.
They didn't have to structure it that way. People enjoyed the format of The West Wing, and audiences have a history of liking Jimmy Smits. Would they have watched a show about president Jimmy Smits? I can't say for certain, but the producers never gave them the chance to decide. By saving the inauguration until the very end of the season, the producers effectively surrendered to the idea that the show had to end with Martin leaving office. By having no episodes with Jimmy Smits as president, they never made the argument for the existence of a show with that premise.
26.9.13
Adventures in Fake Journalism: The Mentalist 509
For a little more than half of Season 5, Patrick Jane spent the episodes making a list of everyone he'd ever shook hands with in the hopes of figuring out which of them may have been the notorious serial killer Red John. In episode 509 we got a peek at a couple of pages from the book, and it was an interestingly detailed piece of work, from a propmaking standpoint.
It reads-
It reads-
25.9.13
Kevin Corrigan's interesting performance choice
There are any number of ways you may know Kevin Corrigan: Community's drama professor, one of the thugs in 7 Psychopaths, a rogue trader in the second season of not-very-good TV show 'Damages'... the man gets a lot of work. Most relevant to this week's posts, he plays Bob Kirkland, homeland security agent, on The Mentalist.
That's him justifying his inclusion on the Red John shortlist, even though he can't possibly belong on it.
I'm not here to rehash my criticism of that decision by the producers, however - I'm here to talk about Kevin Corrigan's extremely interesting choice in portraying the character as... actually, I don't want to spoil it. Watch these two clips, and then I'll explain what Kevin Corrigan was thinking when he decided to play Bob Kirkland this way.
That's him justifying his inclusion on the Red John shortlist, even though he can't possibly belong on it.
I'm not here to rehash my criticism of that decision by the producers, however - I'm here to talk about Kevin Corrigan's extremely interesting choice in portraying the character as... actually, I don't want to spoil it. Watch these two clips, and then I'll explain what Kevin Corrigan was thinking when he decided to play Bob Kirkland this way.
24.9.13
My crazy The Mentalist theory
With The Mentalist set to wrap up the whole Red John thing in the next three months, I thought it might be high time to reveal my crazy theory about the villain's backstory!
Yes, that's right, I developed a crazy theory while rewatching certain episodes of the show in preparation for the new season. With any luck, it will neatly explain where Red John comes from, and why he's turned himself into an evil messiah, as well as his connection to Bret Stiles, the Malcolm McDowell character.
I suspect that Red John is the son/heir of Timothy Farragut, the original founder of 'Visualize' that Stiles murdered back in the 70s.
Yes, that's right, I developed a crazy theory while rewatching certain episodes of the show in preparation for the new season. With any luck, it will neatly explain where Red John comes from, and why he's turned himself into an evil messiah, as well as his connection to Bret Stiles, the Malcolm McDowell character.
I suspect that Red John is the son/heir of Timothy Farragut, the original founder of 'Visualize' that Stiles murdered back in the 70s.
23.9.13
It's "The Mentalist" Week!
Yes, I know what you're thinking - "Castle Vardulon, isn't this the place where I go to look at comic book panels and laugh at the people (now safely in their graves) who wrote and drew them? Why is there text here?"
Well, prepare to be shocked - in celebration of the start of the new season of The Mentalist, I'm posting a few articles this week covering crazy theories, interesting acting choices, and fabulous propmaking! So tune in all week long and join me in getting psyched for September 29th, and the countdown to the Red John reveal!
Just eight episodes away, people!
Well, prepare to be shocked - in celebration of the start of the new season of The Mentalist, I'm posting a few articles this week covering crazy theories, interesting acting choices, and fabulous propmaking! So tune in all week long and join me in getting psyched for September 29th, and the countdown to the Red John reveal!
Just eight episodes away, people!
28.8.13
The Hundred Sixty-Second Greatest Panel in the History of Comics
Here's another thing that fascinates me - mythological figures who have disappeared in the recent past. I've seen a version of this guy show up a few times now reading fiction from the early-to-mid 20th century, but growing up, the idea of a personification of the North Wind never made an appearance.
6.8.13
Netflix has been stealing from you.
I was watching Taken 2 on Netflix a couple of nights ago, and I was shocked by how garbage-y the film looked. I'd remembered the first film as decent enough, so the huge visual step downwards was something of a shock.
Then I realized that the movie was filling up the entire screen, which shouldn't have been possible - even if the movie only had a 1.85 ratio, that's still thinner than HDTV's 1.77 - so where were the black bars?
Could the film really look this terrible?
5.8.13
What the hell, internet ad?
So I've had more than a few problems with internet ads in the past - mostly those of credit agencies - what with them being completely inept at making their points. The other day I happened across one that leaped well beyond regular incompetence into the absurd-
Please tell me that someone just grabbed the wrong image when they were making the ad and there was no oversight before it went up. Please tell me that this wasn't an attempt to create some kind of a metaphoric relationship between debt and physical abuse.
Or debt and people who are bad at special effect makeup.
Please tell me that someone just grabbed the wrong image when they were making the ad and there was no oversight before it went up. Please tell me that this wasn't an attempt to create some kind of a metaphoric relationship between debt and physical abuse.
Or debt and people who are bad at special effect makeup.
26.7.13
It's possible that you're wrong about The Dark Knight Rises
I've been very hard on terrible movie Skyfall here on the website, and as a consequence, a question has been asked of me: how is it that I'm so critical of terrible movie Skyfall, while I'm happy ignoring the many plot holes and stupid contrivances of wonderful movie The Dark Knight Rises? A fair question, one which I'll answer in the form of a picto-illustratory article.
The short version - The Dark Knight Rises doesn't actually have many plot holes or stupid character decisions. What people have incorrectly regarded as such are largely examples of them not paying close enough attention to the film, or misinterpreting things (willfully or not) out of a biased intent to claim that the film isn't actually any good. I'm not going to attempt to engage their motivations for doing this, but rather just explain where their reasoning is flawed.
So, let's start at the beginning, shall we?
12.7.13
So, anyways, Skyfall was just terrible.
Nearly nine months later, I feel that I finally have the emotional distance necessary to watch Skyfall again, chronicling how it may be the most lazily-plotted James Bond movie in history. A non-stop mess of plot holes and terrible characters making inconceivable decisions for no earthly reason. Roger Ebert frequently described the 'Idiot Plot' as a movie whose plot only moves because every character involved in it is a moron.
Skyfall's storyline is the platonic ideal, the perfect form of the idiot plot.
So here is a list - in basic chronological order - of every stupid thing about the movie Skyfall.
We start immediately in the aftermath of an attack on some kind of an MI6 safehouse, during which the hard drive containing the names and photos of every undercover MI6 agent all over the world was stored. Why is this information all in one place? Why was it placed in an ordinary laptop? What possible use could MI6 have for it in Turkey? Maybe if it was a list of all the undercover agents in and around Turkey then its existence might make some semblance of sense, but EVERYONE is on this list. Why would this ever exist in the first place, and then why was it left in a safehouse in a foreign country with only three guards?
Skyfall's storyline is the platonic ideal, the perfect form of the idiot plot.
So here is a list - in basic chronological order - of every stupid thing about the movie Skyfall.
We start immediately in the aftermath of an attack on some kind of an MI6 safehouse, during which the hard drive containing the names and photos of every undercover MI6 agent all over the world was stored. Why is this information all in one place? Why was it placed in an ordinary laptop? What possible use could MI6 have for it in Turkey? Maybe if it was a list of all the undercover agents in and around Turkey then its existence might make some semblance of sense, but EVERYONE is on this list. Why would this ever exist in the first place, and then why was it left in a safehouse in a foreign country with only three guards?
3.7.13
Dexter is Just Terrible, and Has Been Basically Forever
So Dexter came back last week, and before watching the new episode - which I'm sure is about how he's been rewarded by getting his sister to shoot a cop (although really that's going to be his downfall!) - I wanted to take a moment to reflect on just how terrible the season-ender of Dexter was last year.
The episode begins with LaGuerta placing Dexter under arrest for being the Bay Harbour Butcher. She's able to do this because she's discovered a shirt with some blood on it in some garbage from Dexter's boat. The blood belongs to Estrada, the man who murdered Dexter's Mom all those years ago. The only logical assumption? Dexter has killed the man! How's he going to get out of this one?
Simple - it was all Dexter's brilliant plan! He broke into the evidence storage facility where they were still holding the bloody shirt that Estrada was arrested in from 30 years ago. By doing this and planting it on his own boat, he somehow makes everyone think that LaGuerta planted the evidence, discrediting her. Isn't it convenient that the police department held onto that shirt - which wasn't actually evidence of anything, just the clothes Estrada was wearing - for all those decades? Seems like a bit of a stretch, doesn't it? More importantly, if LaGuerta was going to frame Dexter, why would she do it in a way that could be so easily uncovered?
The episode begins with LaGuerta placing Dexter under arrest for being the Bay Harbour Butcher. She's able to do this because she's discovered a shirt with some blood on it in some garbage from Dexter's boat. The blood belongs to Estrada, the man who murdered Dexter's Mom all those years ago. The only logical assumption? Dexter has killed the man! How's he going to get out of this one?
Simple - it was all Dexter's brilliant plan! He broke into the evidence storage facility where they were still holding the bloody shirt that Estrada was arrested in from 30 years ago. By doing this and planting it on his own boat, he somehow makes everyone think that LaGuerta planted the evidence, discrediting her. Isn't it convenient that the police department held onto that shirt - which wasn't actually evidence of anything, just the clothes Estrada was wearing - for all those decades? Seems like a bit of a stretch, doesn't it? More importantly, if LaGuerta was going to frame Dexter, why would she do it in a way that could be so easily uncovered?
28.6.13
Handicapping the Red John list
So the fifth-season ender of The Mentalist has come and gone, and my hopes are yet to be dashed! There was no revelation about Red John's identity, but we were presented with a short list, and my guy's name was on it.
So now, like all armchair TV detectives, I think it's time to start wildly guessing at who Red John might wind up being. Here's the list we're given, along with my capsule comments.
Bret Stiles - Nope.
Gale Betram - Probably not.
Ray Haffner - Absolutely possible.
Reede Smith - Who?
Bob Kirkland - Red Herring.
Sheriff Thomas McAllister - Huh?
Brett Partridge - My pick, for reasons I've already outlined.
So now, like all armchair TV detectives, I think it's time to start wildly guessing at who Red John might wind up being. Here's the list we're given, along with my capsule comments.
Bret Stiles - Nope.
Gale Betram - Probably not.
Ray Haffner - Absolutely possible.
Reede Smith - Who?
Bob Kirkland - Red Herring.
Sheriff Thomas McAllister - Huh?
Brett Partridge - My pick, for reasons I've already outlined.
28.4.13
On the Subject of Red John
I firmly believe that The Mentalist is playing fair. By that I mean that Bruno Heller specifically, and all the producers of The Mentalist, have had a firm idea of where the Red John storyline was going right from the start of the show. I'm not suggesting that some 'master list' of the series' plot-intensive episodes exists, or that the producers had any idea what the specific clues or twists in the Red John storyline were going to be more than a few episodes in advance. I do, however, believe that those producers have known who Red John was all along, and have been careful, even as their plots and characters evolved, never to give any information or clues that contradicted anything already established as fact.
Beyond that, I believe that the mystery as presented by the show has been solvable, and what's more, I believe that I have solved it.
Here's how:
27.4.13
On the Subject of The Mentalist
It occurs to me that, despite it being one of my favorite shows, I've neglected to discuss The Mentalist here on the blog. For anyone not aware, The Mentalist is a CBS drama which - while it fits broadly into the network's tradition of police procedurals - is my nominee for the best-produced thing on network television.
I specify 'network' for what I think are fairly obvious reasons. The dictates of mainstream commercial-supported broadcast television put restrictions on shows that pretty much ensure that they can't ever rise to the level of your Breakings Bad or Games of Thrones. Networks prefer the episodic structure so it's easy for viewers to check in at any time - it doesn't really matter when you start watching Cheers, within a few minutes you'll get the point. Something like Wiseguy - one of the greatest things to ever come out of a network - was doomed to failure largely because it isn't the kind of thing that can simply be picked up and watched at someone's leisure. Add to that fact, from a financial standpoint, episodic shows are easier to sell into syndication, and it's easy to understand why shows about cops and lawyers and doctors solving a new crime/curing a new patient every week have dominated the airwaves since televisions inception. Also, for a little while there, every week a heroic cowboy would shoot some no-good varmint, but that trend seems to have largely passed.