I actually enjoyed the film adaptation of Dante's Inferno quite a bit, so I'm not going to pick it to death, but I thought I'd point out two things that I found humourously puzzling.
This is the man that Dante meets at the gates of hell. He announces that he lived in the time of the false gods, and Dante takes a random shot in the dark as to the man's identity - is he the epic poet Virgil? Amazingly, that's exactly who he is.
Somehow, neither man is surprised at how well that guessing went.
The second thing is an animation error that makes absolutely no sense to me.
Check out the man's shackles at fifty-seven minutes into the film. Now let's check in on them one second later.
Suddenly the chain is gone and his arms are overlapping the shackles. This one is just baffling to me. How do you even make a mistake like this? There barely any movement on the screen, and the chain was a simple overlay. This is Bakshi's Spider-man level of weird.
Other than that, however, perfectly fun film.
This is the man that Dante meets at the gates of hell. He announces that he lived in the time of the false gods, and Dante takes a random shot in the dark as to the man's identity - is he the epic poet Virgil? Amazingly, that's exactly who he is.
Somehow, neither man is surprised at how well that guessing went.
The second thing is an animation error that makes absolutely no sense to me.
Check out the man's shackles at fifty-seven minutes into the film. Now let's check in on them one second later.
Suddenly the chain is gone and his arms are overlapping the shackles. This one is just baffling to me. How do you even make a mistake like this? There barely any movement on the screen, and the chain was a simple overlay. This is Bakshi's Spider-man level of weird.
Other than that, however, perfectly fun film.
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